Free PDF Composition in Landscape and Still Life
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Composition in Landscape and Still Life
Free PDF Composition in Landscape and Still Life
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Product details
Paperback: 208 pages
Publisher: Dover Publications; Dover Ed edition (June 26, 2007)
Language: English
ISBN-10: 0486457486
ISBN-13: 978-0486457482
Product Dimensions:
8 x 0.8 x 10.5 inches
Shipping Weight: 1.3 pounds
Average Customer Review:
3.3 out of 5 stars
8 customer reviews
Amazon Best Sellers Rank:
#1,262,760 in Books (See Top 100 in Books)
First of all, I love Watson's pencil drawings, which is why I bought the book, that and I need to work on my composition. The illustrations are mainly small black-and-white photos of paintings. While one may wish to see the pictures larger and in color, for the purposes of studying composition, the colorless versions are fine because it forces you to look at the values.The book was written in the fifties, and Watson quotes contemporary artists on composition. Some of the quotes are a bit pretentious, but still have something worth noting.When I have read further, I will report back on my observations. So far I have learned about how the human eye tends to move across the picture. We will see if I can find a practical use for this later in the book.
I am fond of old books on painting and drawing, and this reprint of Watson's title originally published in the fifties lived to my expectation.Composition and design are most important ingredients in painting, yet there's a very few books on those subjects around.This one should be on every artist's shelf.
It is OK.
Book returned. Old information. Description back and forth confusing.
Service was great, simple and effective. I received the book in reasonable time and book was in collectors condition. After reading the book I donated it to my Bonsai Club Library for others to use. Thanks Amazon
it's not that i'm dumb, or uneducated (PhD geology) it's just that i'm LEFT-BRAINED and "fine" artists are, as far as i can tell, unable to communicate in English or any other written language. i did a tour as a high-school teacher and i was told in no uncertain terms that as a communicator, it was MY job to do the communicating. it's NOT the READER's job! the author is required to present the material in some logical or otherwise meanigful sequence, so that the READER can come away with an enhanced knowledge or visualization of whatever the writer is describing, explaining, or otherwise killing trees for.what i got out of this was a basic idea of how the eye moves around when viewing a painting. and i didn't always agree with the described eye paths, since my eye followed different paths (actual as opposed to theoretical, i would say) in several cases.in addition, the (almost) abstract modern-art examples chosen for illustration are, in my opinion, pretty ugly; uninteresting; and excellent examples of the old aphorism that a sucker is born every minute.
This is a 208-page semi-classic on pictorial composition, as far as composition is concerned. Analyzing about 135 paintings, 8 of which are reproduced in color, the basic principles of design here can be applied to more modern applications if necessary.Originally created in 1959, no painting pictured is more modern than that. That's OK- the principles here are mostly timeless, as demonstrated by Marvel's great Stan Lee & John Buscema in How to Draw Comics the Marvel Way. In Marvel Way, Buscema actually illustrates more modern examples of the principles laid out by Watson, and that was enough for me to want to get this immediately.I'm so glad Dover gave this book a chance- its been out of print for years. One thing I can't currently do is compare this with other composition titles; it's just not a subject I've yet to heavily invest in. What I *can* say is that upon seeing this title's contents, I'm satisfied that it's at least not a waste of money- most people can certainly learn something here. It's a bit more wordy than I'd like, but Ernest Watson is an author worth reading. My favorite of his books is The Art of Pencil Drawing; it's definitely worth checking out. Few of his other titles survive today; I recommend people get them while they can.
The overview of all compositional matters are set throughtly.One drawback is the pictures he is discussing in the text are sometimes not on the same page. Need to flip back and forth alot.
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